Suggested alternative: 266xs
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.
The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.
The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.
The dbx® 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone’s reach.
Features
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mode operation
- Balanced inputs and outputs on 1/4" TRS and XLR
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI Input Impedance 40kΩ balanced/unbalanced Max Input +22dBu CMRR >40dB (Any Frequency) Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance >10kΩ Sidechain Output Impedance ≤2kΩ Sidechain Max Input Level +21dBu Output Connectors 1/4" TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi Output Impedance 200Ω balanced, 100Ω unbalanced Max Output +21dBu into 600Ω Frequency Response Flat: 20Hz-20kHz, +0, -0.5dB Noise <-93dBu unweighted THD+Noise Typically <0.2%; Any Amount of Compression @1kHz IMD Typically <0.2% SMPTE Compressor Threshold Range -40dBu to +20dBu Compressor Threshold Characteristic Selectable OverEasy® or hard knee Compressor Ratio 1:1 to Infinity:1 Compressor Attack Time Scalable program-dependent Compressor Release Time Scalable program-dependent Expander/Gate Threshold Range -60 to +10dB Expander/Gate Ratio 1:1 to 4:1 Expander/Gate Max Depth >60dB Expander/Gate Attack Time <100µs Expander/Gate Release Time Adjustable, 30ms to 3sec (to 30dB attenuation) Limiter Threshold Range 0dBu to +20dBu Gain Adjustment Range Variable; -20dB to +20dB Interchannel Crosstalk <-93dB @ 1kHz Dynamic Range >114 dB, unweighted Stereo Coupling True RMS Power Summing™ Power Consumption 15 Watts Maximum Dimensions 1.75" x 19" x 6.75" (4.45 cm x 48.2 cm x 17.15 cm) Unit Weight 5 lbs (2.3 kg) Shipping Weight 7 lbs (3.2 kg) Reference 0dBu = 0.775Vrms
Suggested alternative: 266xs
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.
The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.
The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.
The dbx® 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone’s reach.
Features
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mode operation
- Balanced inputs and outputs on 1/4" TRS and XLR
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
| Input Connectors | 1/4" TRS and XLR, Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot HI |
| Input Impedance | 40kΩ balanced/unbalanced |
| Max Input | +22dBu |
| CMRR | >40dB (Any Frequency) |
| Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance | >10kΩ |
| Sidechain Output Impedance | ≤2kΩ |
| Sidechain Max Input Level | +21dBu |
| Output Connectors | 1/4" TRS phone and XLR floating balanced, XLR: Pin 2 and Tip Hi |
| Output Impedance | 200Ω balanced, 100Ω unbalanced |
| Max Output | +21dBu into 600Ω |
| Frequency Response | Flat: 20Hz-20kHz, +0, -0.5dB |
| Noise | <-93dBu unweighted |
| THD+Noise | Typically <0.2%; Any Amount of Compression @1kHz |
| IMD | Typically <0.2% SMPTE |
| Compressor Threshold Range | -40dBu to +20dBu |
| Compressor Threshold Characteristic | Selectable OverEasy® or hard knee |
| Compressor Ratio | 1:1 to Infinity:1 |
| Compressor Attack Time | Scalable program-dependent |
| Compressor Release Time | Scalable program-dependent |
| Expander/Gate Threshold Range | -60 to +10dB |
| Expander/Gate Ratio | 1:1 to 4:1 |
| Expander/Gate Max Depth | >60dB |
| Expander/Gate Attack Time | <100µs |
| Expander/Gate Release Time | Adjustable, 30ms to 3sec (to 30dB attenuation) |
| Limiter Threshold Range | 0dBu to +20dBu |
| Gain Adjustment Range | Variable; -20dB to +20dB |
| Interchannel Crosstalk | <-93dB @ 1kHz |
| Dynamic Range | >114 dB, unweighted |
| Stereo Coupling | True RMS Power Summing™ |
| Power Consumption | 15 Watts Maximum |
| Dimensions | 1.75" x 19" x 6.75" (4.45 cm x 48.2 cm x 17.15 cm) |
| Unit Weight | 5 lbs (2.3 kg) |
| Shipping Weight | 7 lbs (3.2 kg) |
| Reference | 0dBu = 0.775Vrms |
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